Rococo reproduction painting by unknown artist

This Rococo reproduction painting was purchased by my mother for about $15.00 at a local thrift shop. She asked me to frame it for her, which prompted me to do a little digging into the paintings origins.

Rococo Reproduction Painting

There is no artist name listed on the painting. It is very old and there are obvious signs of wear on the canvas and painted surface. There is a lot of dirt buildup and yellowing of the varnish.  The canvas is very dry and brittle. There is cracking of the painted medium in certain areas and the painting could use a restoration.

Rococo reproduction painting by unknown artist.

Rococo reproduction painting by unknown artist.

Rococo reproduction painting by unknown artist. (Detail)

Rococo reproduction painting by unknown artist. (Detail)

The canvas in not mounted to stretcher bars but is curiously held to the frame by narrow strips of wood and two cross-members cut to fit and hold everything in place. The frame is not outstanding in any way and is probably not original to the painting.

Rococo reproduction painting rear view.

Rococo reproduction painting rear view.

Rococo reproduction painting rear view. (Detail)

Rococo reproduction painting rear view. (Detail)

The Composition

The painting is composed from elements of two famous paintings by Rococo artist Francois Boucher (1703-1770). It was during a general search of painting styles of the 17th through 19th centuries that I stumbled upon a painting by Boucher, The Bird Cage (1763) that partially matched the reproduction painting. Further research into Boucher’s works led me to a second painting, The Shepherd’s Gift (1740), that matched another portion of the reproduction painting. You can image my excitement.

Reference Painting 1:

The Shepherd’s Gift (The Nest) draws from the fountain, large tree and foliage to the left of the fountain.

Francois Boucher (1703-1770): The Shepherd's Gift (The Nest) (1740)

Francois Boucher (1703-1770): The Shepherd’s Gift (The Nest) (1740)

Reference Painting 2:

The Bird Cage draws from the man and women. I think the artist might have referenced black and white images of the original paintings and thus the variation in clothing colors on the reproduction… but that’s just a guess.

Francois Boucher (1703-1770): The Bird Cage (1763)

Francois Boucher (1703-1770): The Bird Cage (1763)

Summary

In conclusion, researching this Rococo reproduction painting was a fun project.

Victorian Frame Still Life

Antiques on the Farmington, located in Collinsville, Connecticut was home to this beautiful Victorian frame still life. Looking for good quality antique frames is always a highlight for me when I go antiquing with my wife, Jennifer. Finding very old carved frames is rare to find in a typical shop, but there are usually many 19th and 20th century frames to be seen. Loss of compo ornamentation is a typical problem in frames from this time period.

Victorian Frame Still Life

Victorian Frame Still Life.

I believe the finish is original, however it needs a serious cleaning. Notice the closed corners – the compo ornamentation lines up nicely, with intent and symmetry. Also, the compo is in relatively good condition, with only a few losses here and there. (…look for the white spots where the compo has flaked off.)

Victorian Frame Still Life - corner close-up.

Some of the design features are the beaded sight edge and ???? back edge. I am not sure what design is on the top edge, and I have found no reference to it in my many frame books.

In conclusion, this is a unique old frame. During my many years of frame hunting throughout Connecticut’s many antique shops I have never come across a frame designed like this one.

You can see another frame that we found in the same shop here.

Victorian Frame Portrait

We stopped at one of our favorite antique shop collectives, Antiques on the Farmington, located in Collinsville, Connecticut. We found this very beautiful Victorian frame portrait that has many nice features and an interesting photographic portrait that is probably original to the frame. (I often wonder about the people depicted in these types of finds. Who were they and what were they like? What did they do for a living and what was their family like?)

Victorian Frame Portrait.

Victorian frame portrait.

Victorian frame portrait.

Some of the notable Victorian features are the oval sight and center frieze with leopard pattern.

Victorian frame portrait - showing original finish luster and reflections.

Victorian frame portrait – showing original finish luster and reflections.

Something that you often see today in antique frames is that they have been over-painted with bronze or copper paint, or even worse… Shabby Chic. (gag!) Using bronze or copper paint was a common practice to cover up damaged areas of the finish rather than have the frames professionally repaired. One positive indicator that the original finish has been over-painted is the lack of luster and reflection that metallic-leaf (or true gold-leaf) often gives off, resulting in an overall flat appearance across the frame. Depending on how thick the paint was applied you will also notice a loss of detail in some of the design elements and compo ornamentation. (I’m personally not a fan of over-painted antique frames or Shabby Chic… but each to his own.)

Victorian frame portrait - corner close-up showing minor repair work.

Victorian frame portrait – corner close-up showing minor repair work.

In conclusion, this is a nice looking Victorian frame despite some of the visible signs of touch-up and repair work. The frame seems to be in good condition and still retains much of its original finish. I also like that it has a nice patina.

You can see a second frame that we found in the same shop here.

Neoclassical Frame

Jennifer and I went antiquing today at The Collinsville Antiques Company of New Haven and Antiques on the Farmington which are both located in Collinsville, Connecticut. First of all, I’m always on the lookout for good quality antique frames whenever we go antiquing. On this day we came across two most noteworthy frames. One of the frames was a nice Neoclassical frame, maybe in the style of Louis XVI or Empire. The frame was mounted to a oil painting of a waterfall scene. The second frame was a Rococo reproduction frame. In this post I will discuss the Neoclassical frame.

Neoclassical Frame

Neoclassical frame. Waterfall scene by unknown artist.

Neoclassical frame. Waterfall scene by unknown artist.

Some of the notable Neoclassical design elements of this frame include the bead pattern, double-bead and reel pattern, plain cove and the most notable egg and dart pattern at the top edge. Also, the outer edge has a rais-de-coeur pattern all around. (As seen in last image at bottom.)

Neoclassical frame - corner close-up

Neoclassical frame – corner close-up

This frame is open cornered, e.g. cut and joined from pre-fabricated molding. (notice the mismatched pattern alignment in the corners.)

Neoclassical style frame - corner close-up showing rais-de-coeur.

Neoclassical style frame – corner close-up showing rais-de-coeur.

Also, be sure to check out the Rococo frame from the same outing.

Rococo Frame

This Rococo frame, probably a transitional Louis XV – Louis XVI reproduction, was found at Antiques on the Farmington in Collinsville, Connecticut. First of all this frame does not appear to be old. Also, it definitely seems like it was designed to capture the look and feel of the Rococo period.

Rococo Frame Reproduction

Rococo frame

Rococo frame

The most noteworthy Rococo style features are the oval sight, elaborate corner foliate cartouches and swept sides and back. There is also a nice contrast between the antiqued gold ornamentation and the faux wood finish on the inner portions of the frame. Yet, in my experience I have not come across an authentic frame like this with contrasting gold and wood areas.

Rococo frame - corner close-up showing faux wood finish.

Rococo frame – corner close-up showing faux wood finish.

In conclusion, I like this frame despite it being newer. The mirror could be removed and a formal oil portrait would go nicely with this style of frame. (There was another frame in the Neoclassical style that we found, check it out here.)